The following are some publications in which Victor Sloan's images and writing about his work appear:
Jack Crangle, (2023), Migrants, Immigration and Diversity in Twentieth-century Northern Ireland, Palgrave Macmillan, ISBN978-3-031-18820-6.
Gabriele Muschter and Uwe Warnke, (2019), Of People and Walls: 30 Years After the Fall of the Berlin Wall, Lukas Verlag für Kunst und Geistesgeschichte, ISBN 978-3-86732-344-4
George Legg, (2018), Northern Ireland and the Politics of boredom, Manchester University Press, England, ISBN: 978-1-5261-2886-7
Ann Murray, (2018), Constructing the Memory of War in Visual Culture since 1914: The Eye on War, Routledge, ISBN: 9781351360203
Declan Long, (2017), Ghost-haunted land: Contemporary art and post-Troubles Northern Ireland, Oxford University Press, ISBN: 9781784991449
Ciara Hickey and Ken Grant (2017), Victor Sloan: Before, Belfast Exposed, Belfast, ISBN: 978-0-9561766-3-2
Craig Atkinson, Ed. (2016), Northern Ireland One: Victor Sloan, Café Royal Books, England
Vanessa Alayrac-Fielding and Claire Dubois, Eds (2015), The Foreignness of Foreigners: Cultural Representations of the Other in the British Isles (17th-20th Centuries), Cambridge Scholars Publishing, ISBN-13: 978-1-4438-7424-3
Dr Justin Carville and Ken Grant, (2014), Victor Sloan: Drift, F E McWilliam Gallery, Banbridge, Northern Ireland, ISBN: 978-1-908455-13-0
Catherine Marshall and Peter Murray, Eds (2014), Art and Architecture of Ireland, Volume V, Twentieth Century, Royal Irish Academy/Yale University Press, ISBN: 978-0-300179-23-1
Colin Graham, (2013), Northern Ireland: 30 years of Photography, Belfast Exposed/The MAC, Belfast, Northern Ireland, ISBN: 978-0-9561766-1-5
Justin Carville, (2011), Photography and Ireland, Reaktion Books, London, England. ISBN -10 1861898711
Helen Carey, (2011) Titles, Department of Finance and Personnel / Office of Public Works, Belfast / Dublin, ISBN 978-1-4064-2604-5
Sarah McAvera, (2010), Elective Perspective, Galeria Arsenal, Bialystok, Poland. ISBN 978-83-89778-02-4
Sylvia Grace Borda, (2010), ‘Locating Place – relationships between curatorial and fine art practices’, IN/VISIBILITY, Edited by Svetlana Mladenov, Golden Eye for Centre for Visual Culture, Novi Sad, Serbia.
Maryline Maigron, Marie-Odile Salati, Eds. (2010), La Surface: accidents et altérations, Éditions de l'université de Savoie, Paris, France, ISBN-10 2-915797-63-3
Valerie Morisson, Les photographies de Victor Sloan : l’histoire passée au crible, in "La Surface : accidents et altérations." Chambéry: Presses Universitaires de l’Université de Savoie 2010. 243-258
Declan McGonagle,, (2010), "A shout in the street: Reflections on another way of looking," Wasafiri, Oxfordshire , England : Routledge, ISSN 0269-0055
Brian Kennedy, (2010), A View From Napoleon’s Nose, Kaohsiung, Taiwan: Kao Yuan Arts Centre, ISBN 978-986-6755-28-6
Colin Graham, (2009), "Luxury, Peace and Photography in Northern Ireland", Visual Culture inBritain , Volume 10, Issue 2. Oxfordshire , England : Routledge, ISSN 1471-4787
Declan Long, (2009), Visual Art and the Conflict in Northern Ireland, Troubles Archive Essays. Belfast: Arts Council of Northern Ireland, ISBN 0-903203-20-0
Victor Sloan, and Ann Donnelly,. Eds. (2009) My country is where I am, Craigavon: Arts Development: Craigavon Borough Council, ISBN 978-0-9564403-1-0
Valérie Morisson, (2019) "La déconstruction du discours politique de l’image : l’art irlandais post-nationaliste", Marges, University of Vincennes, Paris, September 2009, pp. 8-23.
Sara Brady, Fintan Walsh, Eds. (2009) Crossroads: Performance Studies and Irish Culture. Basingstoke , England : Palgrave, ISBN 978-0-230-21998-4
Declan McGonagle, (2008), A Shout in the Street: Collective Histories of Northern Irish Art. Belfast, Northern Ireland: Golden Thread Gallery. ISBN 978-0-9557469-2-5
Peter Richards, (2008), Contemporary Art: Northern Ireland. Museum of the Heilongjiang Daily, China
Glenn Patterson, (2007), Luxus. Portadown: Millennium Court Arts Centre. ISBN 978-0-9549816-5-5
Carmen Szabó, (2007), Clearing the Ground. Cambridge Scholars Publishing. ISBN 1-84718-180-5
Shane Alcobia-Murphy, (2006), Sympathetic Ink: Intertextual Relations in Northern Irish Poetry. Liverpool, England: Liverpool University Press. ISBN 1-84631-032-6
George Legg, (2018), Northern Ireland and the Politics of boredom, Manchester University Press, England, ISBN: 978-1-5261-2886-7
Ann Murray, (2018), Constructing the Memory of War in Visual Culture since 1914: The Eye on War, Routledge, ISBN: 9781351360203
Declan Long, (2017), Ghost-haunted land: Contemporary art and post-Troubles Northern Ireland, Oxford University Press, ISBN: 9781784991449
Ciara Hickey and Ken Grant (2017), Victor Sloan: Before, Belfast Exposed, Belfast, ISBN: 978-0-9561766-3-2
Craig Atkinson, Ed. (2016), Northern Ireland One: Victor Sloan, Café Royal Books, England
Vaclav Macek, Ed. (2016), The History of European Photography. Vol 3, 1970-2000, Central European House of Photography, Bratislava, Slovakia, ISBN: 978-80-85739-70-1.
Vanessa Alayrac-Fielding and Claire Dubois, Eds (2015), The Foreignness of Foreigners: Cultural Representations of the Other in the British Isles (17th-20th Centuries), Cambridge Scholars Publishing, ISBN-13: 978-1-4438-7424-3
Dr Justin Carville and Ken Grant, (2014), Victor Sloan: Drift, F E McWilliam Gallery, Banbridge, Northern Ireland, ISBN: 978-1-908455-13-0
Catherine Marshall and Peter Murray, Eds (2014), Art and Architecture of Ireland, Volume V, Twentieth Century, Royal Irish Academy/Yale University Press, ISBN: 978-0-300179-23-1
Lorenzo Bosi, Chares Demetriou, Stefan Malthaner, Eds (2014), Dynamics of Political Violence, Ashgate Publishing, England, ISBN: 978-1-4094-4351-3
Slavka Sverakova, (2014), The Faraway Nearby, F.E. McWilliam Gallery, Northern Ireland, ISBN: 978-1-908455-11-6
Sandra Johnston, (2013), Beyond Reasonable Doubt, LIT Verlag, ISBN-13: 978-3643904409
Fionna Barber, (2013), Art in Ireland since 1910, Reaktion Books, London, England, ISBN 978 1 78023 0368Slavka Sverakova, (2014), The Faraway Nearby, F.E. McWilliam Gallery, Northern Ireland, ISBN: 978-1-908455-11-6
Sandra Johnston, (2013), Beyond Reasonable Doubt, LIT Verlag, ISBN-13: 978-3643904409
Colin Graham, (2013), Northern Ireland: 30 years of Photography, Belfast Exposed/The MAC, Belfast, Northern Ireland, ISBN: 978-0-9561766-1-5
Justin Carville, (2011), Photography and Ireland, Reaktion Books, London, England. ISBN -10 1861898711
Helen Carey, (2011) Titles, Department of Finance and Personnel / Office of Public Works, Belfast / Dublin, ISBN 978-1-4064-2604-5
Sarah McAvera, (2010), Elective Perspective, Galeria Arsenal, Bialystok, Poland. ISBN 978-83-89778-02-4
Sylvia Grace Borda, (2010), ‘Locating Place – relationships between curatorial and fine art practices’, IN/VISIBILITY, Edited by Svetlana Mladenov, Golden Eye for Centre for Visual Culture, Novi Sad, Serbia.
Maryline Maigron, Marie-Odile Salati, Eds. (2010), La Surface: accidents et altérations, Éditions de l'université de Savoie, Paris, France, ISBN-10 2-915797-63-3
Valerie Morisson, Les photographies de Victor Sloan : l’histoire passée au crible, in "La Surface : accidents et altérations." Chambéry: Presses Universitaires de l’Université de Savoie 2010. 243-258
Declan McGonagle,, (2010), "A shout in the street: Reflections on another way of looking," Wasafiri,
Brian Kennedy, (2010), A View From Napoleon’s Nose, Kaohsiung, Taiwan: Kao Yuan Arts Centre, ISBN 978-986-6755-28-6
Colin Graham, (2009), "Luxury, Peace and Photography in Northern Ireland", Visual Culture in
Declan Long, (2009), Visual Art and the Conflict in Northern Ireland, Troubles Archive Essays. Belfast: Arts Council of Northern Ireland, ISBN 0-903203-20-0
Victor Sloan, and Ann Donnelly,. Eds. (2009) My country is where I am, Craigavon: Arts Development: Craigavon Borough Council, ISBN 978-0-9564403-1-0
Valérie Morisson, (2019) "La déconstruction du discours politique de l’image : l’art irlandais post-nationaliste", Marges, University of Vincennes, Paris, September 2009, pp. 8-23.
Declan McGonagle, (2008), A Shout in the Street: Collective Histories of Northern Irish Art. Belfast, Northern Ireland: Golden Thread Gallery. ISBN 978-0-9557469-2-5
Peter Richards, (2008), Contemporary Art: Northern Ireland. Museum of the Heilongjiang Daily, China
Glenn Patterson, (2007), Luxus. Portadown: Millennium Court Arts Centre. ISBN 978-0-9549816-5-5
Carmen Szabó, (2007), Clearing the Ground. Cambridge Scholars Publishing. ISBN 1-84718-180-5
Shane Alcobia-Murphy, (2006), Sympathetic Ink: Intertextual Relations in Northern Irish Poetry. Liverpool, England: Liverpool University Press. ISBN 1-84631-032-6
Liz Naylor, Graham Parker, Vincent Martin (2006), 20: Twenty. Manchester, England: Cornerhouse Publications. ISBN: 0-948797-29-0
Brian McAvera, (2006), Icons of the North: Collective Histories of Northern Irish Art. Belfast: Golden Thread Gallery. ISBN 0-9549633-3-4
Brian McAvera, (2006), Icons of the North: Collective Histories of Northern Irish Art. Belfast: Golden Thread Gallery. ISBN 0-9549633-3-4
William Gallagher, (2006), The National Self-Portrait Collection of Ireland - volume 2, 1989-1999. Limerick, Ireland: University of Limerick Press. ISBN 0946846-332
Shane Alcobia-Murphy, (2005), Governing the Tongue in Northern Ireland: The Place of Art/The Art of Place. Newcastle: Cambridge Scholars Press. ISBN 1-904303-60-9
Gemma Tipton, (2005), Space: Architecture for Art. Dublin: Circa. ISBN-10: 0955031907
Colin Graham,(2005), Lucy Cotter (Ed.), Third Text . “Every Passer-by a Culprit?”, Kala Press/Black Umbrella. ISSN 09528822
Jürgen Schneider, (2004), Victor Sloan: Walk. Augsburg, Germany: Kulturbüro der Stadt.
Martin Clancy, (2002), Brian Lalor (Ed.), The Encyclopedia of Ireland. Dublin: Gill and Macmillan. ISBN 0-7171-3000-2
Aidan Dunne, (2001), Victor Sloan: Selected Works 1980-2000. Belfast: Ormeau Baths Gallery. ISBN 0-9540086-0-X
Ciaran Brady, (2000), The Encyclopedia of Ireland. Oxford University Press. ISBN 0-19-521685-7
Martin McCabe, (1999), Revealing Views. London: Royal Festival Hall. ISBN 1-85332-194-X
Tanya Kiang, Martin McCabe, Michael Wilson, (2001), W.J. McCormack (Ed.), The Blackwell Companion to Modern Irish Culture. Oxford: Blackwell. ISBN 0-631-16525-8
James MacKillop, Ed. (1999), Contemporary Irish cinema. Syracuse, New York: Syracuse University Press. ISBN 0-8156-0568-4
David Buckman, (1998), The Dictionary of Artists in Britain Since 1945. Samson. ISBN 0-9532609-0-9
JamesKerr, Mairin Murray, (1998), In Context, Victor Sloan: Stadium. Derry: Context Gallery
Val Williams, (1997), On The Bright Side Of Life: Zeitgenössische Britische Fotografie. Berlin: Neue Gesellschaft für Bildende Kunst. ISBN 3-926796-50-2
Liam Kelly, (1996), Paul Brennan and Catherine de Saint Phalle, (Eds.), Désirs d'Irlande. Paris, France: Actes Sud. ISBN 2-7427-0748-4
Jürgen Schneider, (1996), Victor Sloan. Poland: Biuro Wystaw Artystycznych. ISBN 83-903457-9-X
Liam Kelly, (1996), Thinking Long - Contemporary Art In The North Of Ireland. Dublin: Gandon Editions. ISBN 0-946641-66-8
Jürgen Schneider, (1995), Victor Sloan: Borne Sulinowo. Derry: Orchard Gallery. ISBN 0-907797-82-2
Finton O’Toole, (1995), Lie of the Land. Dublin: Gallery of Photography. ISBN 0-9526741-0-6
John Roberts, (1992), Selected Errors, Writings on Art and Politics, 1981-1990. London: Pluto Press. ISBN 0-7453-0498-2
Michael McCaughan, (1992), Acts of Faith: Victor Sloan, Dublin: Gallery of Photography.
David Mellor, Nancy Wood, (1992), I-D Nationale. Edinburgh: Portfolio. ISBN 0-9520608-0-9
John Hutchinson, (1990), A New Tradition: Irish Art of the Eighties. Dublin: Douglas Hyde Gallery. ISBN 0-907660-37-1
Jonathan Watkins, Gerry Burns, Martin Strather, (1991), Kunst Europa. H. Schmidt. ISBN 3-87439-240-6
Declan McGonagle, James Odling-Smee, Gerry Burns, (1989), Victor Sloan: Walls. Derry: Orchard Gallery. ISBN 0-907797-52-0
Brian McAvera, (1989), Marking The North-The Work of Victor Sloan. Dublin: Gill & Macmillan. ISBN 1-872496-01-6 Read Extracts
Brian McAvera, (1989), Art, Politics and Ireland. Dublin: Gill & Macmillan. ISBN 1-872496-00-8
Declan McGonagle, James Coleman, (1988), Selected Images. London: Riverside Studios. ISBN 1-870172-40-x
Jamshid Mirfenderesky, (1988), Ulster Art in the 80s. Dublin: RHA Gallagher Gallery. ISBN 1-871630-00-2
Liam Kelly, (1988), The Birches: Victor Sloan. Belfast: Octagon Gallery.
Brian McAvera, (1986), Directions Out - An investigation into a selection of artists whose work has been formed by the post 1969 situation in Northern Ireland. Dublin: Douglas Hyde Gallery. ISBN 0-907660-20-7
Belinda Loftus, (1986), Drumming: Victor Sloan. Belfast: Arts Council of Northern Ireland.
Brian McAvera, (1987), Magnetic North. Derry: Orchard Gallery. ISBN 0-907797-35-0
Lucy R Lippard, (1985), Divisions, Crossroads, Turns of Mind; Some New Irish Art. Ireland America Arts Exchange Inc., Wisconsin and Williams College Museum of Art, U.S. ASIN B00070NKCS
Shane Alcobia-Murphy, (2005), Governing the Tongue in Northern Ireland: The Place of Art/The Art of Place. Newcastle: Cambridge Scholars Press. ISBN 1-904303-60-9
Gemma Tipton, (2005), Space: Architecture for Art. Dublin: Circa. ISBN-10: 0955031907
Colin Graham,(2005), Lucy Cotter (Ed.), Third Text . “Every Passer-by a Culprit?”, Kala Press/Black Umbrella. ISSN 09528822
Jürgen Schneider, (2004), Victor Sloan: Walk. Augsburg, Germany: Kulturbüro der Stadt.
Martin Clancy, (2002), Brian Lalor (Ed.), The Encyclopedia of Ireland. Dublin: Gill and Macmillan. ISBN 0-7171-3000-2
Aidan Dunne, (2001), Victor Sloan: Selected Works 1980-2000. Belfast: Ormeau Baths Gallery. ISBN 0-9540086-0-X
Ciaran Brady, (2000), The Encyclopedia of Ireland. Oxford University Press. ISBN 0-19-521685-7
Martin McCabe, (1999), Revealing Views. London: Royal Festival Hall. ISBN 1-85332-194-X
Tanya Kiang, Martin McCabe, Michael Wilson, (2001), W.J. McCormack (Ed.), The Blackwell Companion to Modern Irish Culture. Oxford: Blackwell. ISBN 0-631-16525-8
James MacKillop, Ed. (1999), Contemporary Irish cinema. Syracuse, New York: Syracuse University Press. ISBN 0-8156-0568-4
David Buckman, (1998), The Dictionary of Artists in Britain Since 1945. Samson. ISBN 0-9532609-0-9
JamesKerr, Mairin Murray, (1998), In Context, Victor Sloan: Stadium. Derry: Context Gallery
Val Williams, (1997), On The Bright Side Of Life: Zeitgenössische Britische Fotografie. Berlin: Neue Gesellschaft für Bildende Kunst. ISBN 3-926796-50-2
Liam Kelly, (1996), Paul Brennan and Catherine de Saint Phalle, (Eds.), Désirs d'Irlande. Paris, France: Actes Sud. ISBN 2-7427-0748-4
Jürgen Schneider, (1996), Victor Sloan. Poland: Biuro Wystaw Artystycznych. ISBN 83-903457-9-X
Liam Kelly, (1996), Thinking Long - Contemporary Art In The North Of Ireland. Dublin: Gandon Editions. ISBN 0-946641-66-8
Jürgen Schneider, (1995), Victor Sloan: Borne Sulinowo. Derry: Orchard Gallery. ISBN 0-907797-82-2
Finton O’Toole, (1995), Lie of the Land. Dublin: Gallery of Photography. ISBN 0-9526741-0-6
John Roberts, (1992), Selected Errors, Writings on Art and Politics, 1981-1990. London: Pluto Press. ISBN 0-7453-0498-2
Michael McCaughan, (1992), Acts of Faith: Victor Sloan, Dublin: Gallery of Photography.
David Mellor, Nancy Wood, (1992), I-D Nationale. Edinburgh: Portfolio. ISBN 0-9520608-0-9
John Hutchinson, (1990), A New Tradition: Irish Art of the Eighties. Dublin: Douglas Hyde Gallery. ISBN 0-907660-37-1
Jonathan Watkins, Gerry Burns, Martin Strather, (1991), Kunst Europa. H. Schmidt. ISBN 3-87439-240-6
Declan McGonagle, James Odling-Smee, Gerry Burns, (1989), Victor Sloan: Walls. Derry: Orchard Gallery. ISBN 0-907797-52-0
Brian McAvera, (1989), Marking The North-The Work of Victor Sloan. Dublin: Gill & Macmillan. ISBN 1-872496-01-6 Read Extracts
Brian McAvera, (1989), Art, Politics and Ireland. Dublin: Gill & Macmillan. ISBN 1-872496-00-8
Declan McGonagle, James Coleman, (1988), Selected Images. London: Riverside Studios. ISBN 1-870172-40-x
Jamshid Mirfenderesky, (1988), Ulster Art in the 80s. Dublin: RHA Gallagher Gallery. ISBN 1-871630-00-2
Liam Kelly, (1988), The Birches: Victor Sloan. Belfast: Octagon Gallery.
Brian McAvera, (1986), Directions Out - An investigation into a selection of artists whose work has been formed by the post 1969 situation in Northern Ireland. Dublin: Douglas Hyde Gallery. ISBN 0-907660-20-7
Belinda Loftus, (1986), Drumming: Victor Sloan. Belfast: Arts Council of Northern Ireland.
Brian McAvera, (1987), Magnetic North. Derry: Orchard Gallery. ISBN 0-907797-35-0
Lucy R Lippard, (1985), Divisions, Crossroads, Turns of Mind; Some New Irish Art. Ireland America Arts Exchange Inc., Wisconsin and Williams College Museum of Art, U.S. ASIN B00070NKCS